Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Markus Pernhart
Reifnitzer Bucht

ID: 88850

Markus Pernhart Reifnitzer Bucht
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Markus Pernhart Reifnitzer Bucht


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Markus Pernhart

Markus Pernhart (1824-1871)  Related Paintings of Markus Pernhart :. | Worthersee mit Loretto und dem Ferlacher Horn | Maria Worth | Worthersee gegen Sudwesten mit Mittagskogel | Worthersee bei Loretto mit Eislaufern | Worthersee mit Militarschwimmschule |
Related Artists:
Jervis Mcentee
American Realist Painter, 1828-1891, He was an American painter of the Hudson River School. He is a somewhat lesser-known figure of the 19th century American art world, but was the close friend and traveling companion of several of the important Hudson River School artists. Aside from his paintings, McEntee's enduring legacy are the detailed journals he kept from the early 1870s until his death. In his writings McEntee records a detailed account of Hudson River School artists, their day-to-day life, gossip and personal reflections, and the overall arc of the American art world in the second half of the 19th century. He discusses his artistic successes and trials, particularly as money becomes more scarce with the decline in popularity of Hudson River School art. McEntee's journals are now kept by the Archives of American Art, a research center within the Smithsonian Institution. Five volumes of these diaries, from 1872 to 1890, have been digitally scanned, transcribed, and can be browsed in their entirety in the Jervis McEntee Diaries Online. McEntee was born in Rondout, New York on July 14, 1828. Little is known of his childhood. He exhibited his first painting at the National Academy of Design in New York City in 1850.
Adriaen de Gryef
Belgium (1670-1715 ) - Painter
Cagnaccio di San Pietro
Italian, 1897-1946,born Natale Bentivoglio Scarpa, was an Italian magic realist painter. He had his artistic training at the Academy of Fine Art in Venice, where he studied under Ettore Tito. Cagnaccio's early paintings were in a Futurist idiom, but by the early 1920s he had adopted a very smoothly brushed, nearly photographic style. His work, which includes portraits, nudes, still lifes, scenes of popular life, and religious pictures, shows the influence of the German painters of the New Objectivity. One of his best-known paintings, After the Orgy (1928) shows three nude women asleep on a floor littered with wine bottles, playing cards and cigarettes.






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